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Seattle's fall art scene delves into design

The Seattle Design Festival is ushering in a series of design-based art events around the Seattle area this fall. Kascha Semonovitch highlights what not to miss.

Seattle's fall art scene delves into design
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Ashli Blow

The Seattle Design Festival is ushering in a series of design-based art events around the Seattle area this fall. Kascha Semonovitch highlights what not to miss.

This fall begins with a rise of design in Seattle.   Several slated event series are blurring the lines between design,  architecture, and visual art, inviting live interaction and conversation  in a city better-known for its music scene.  The crowd for Seattle Design Festival’s panel “Beyond Boundaries” overwhelmed the space at  Fred’s Wildlife Refuge on Monday, a sign that the local community’s  craving exceeds current offerings.

The panel featured a  conversation between local design firm Lead Pencil Studio, LA-based  Ball-Nogues Studio, and Phoenix-based Atherton | Keener about how  they have used architectural techniques or perspectives to generate art  work that interrogates the distinctions between art and architecture.   Panelists considered how software could re-present overlooked urban  features such as signage (in the case of Lead Pencil) or how  architecture permanently changes our relationship to light (in the case  of Atherton | Keener).

All of the firms have installed work visible in  Seattle or the greater Puget sound area: Atherton | Keener’s “Buoyancy”  is now on display downtown at Suyama Space (2324 Second Avenue); Ball-Nogues Studio is  currently completing a public sculpture of sphere-packing near the  highway in Edmonds.   (The final project resembles their Santa Monica  project “Cradle.”)

This Thursday evening the design festival  continues as local architect, Artefact employee, and former Microsoft  design director August de los Reyes presents his vision for twenty-first  century design at the Seattle Art Museum. In his research and  production, de los Reyes synthesizes fields as  diverse as video gaming,  critical theory, hardware-prototyping, and  architecture to argue for a  cross-disciplinary practice of design that is not limited by the  contingencies of any one discipline.

On Friday, Saint Genet, a  new experimental performance/visual art company, begins a series of four  weekly Aesthetic Declarations at the Lawrimore Project, a gallery and  aesthetic force in Seattle.  Whether you subscribe to any of these  manifestos, these events may be the time to familiarize yourself with  the aesthetic forces at work in the Puget Sound.

These speakers only mark the beginning of design-meets-art offerings that will continue through the fall.

On Saturday, Lawrimore Project artist Susie J. Lee will combine live music, dance, technology, and installation in “Swimming the List” at the Theatre Off Jackson.  This presentation will introduce viewers to the work that gained her  her first museum solo exhibition, "Of Breath and Rain," which will be on  view at the Frye Art Museum in February 2012.  (Lee is also represented  at Myers Contemporary, Baltimore, and Galleria Tiziana Di Caro,  Salerno.)

In October, Rome-prize winning Meejin Yoon and her partner, Eric Howeler, will travel from MIT and Cambridge, MA to speak about their practice, which consistently merges art and design. Howeler and Yoon will speak October 14 at 6 pm in the Seattle Central Library Auditorium as part of Space.City's Expanding Practice Lecture series.

Broaching  another edge of design, AIGA and Henry Art gallery will offer a unique  perspective on the relation between design and editorial publication early October in “Read Me,” a panel discussion to accompany the exhibit “Read Me,” now on view at  the gallery.   Several editors of renowned publications will reflect on  how they blend critical reflection with designed print or online  presentations.

Each happening notably clouds the  disciplinary  boundaries between design and art: In each the creative  energy of  the artists demands a technical vocabulary drawn from a  particular  discipline or disciplines, but in the final project the work  excels  precisely because it does not limit itself to that discipline.   These  projects might be loosely collected under the term “visual” art,  but in  the sense that the artists have a “vision,” the articulation of   that vision might require sound, movement, time, and dialogue to fully   manifest.

No doubt, these events mark not the end of a list but the beginning  of many more art and design events in the greater Seattle area.

If you go:

August de los Reyes at the Seattle Art Museum's Arnold Board Room, Downtown, Thursday, Sep 22, 6 - 8 pm.

Saint  Genet at the former home of the Lawrimore Project, 831 Airport Way  South, International District, Fridays, doors open at 6 pm, performance  starts 9 pm, suggested donation $5-15; may not be suitable for those  under 18.

Susie J. Lee's "Swimming the List" at the Theatre Off Jackson, 409 7th Ave S, International District, Friday, Sept 23rd & Saturday, Sep 24th at 8 pm, Sunday Sep 25th at 2 pm, $12 in advance, $15 at the door, students $10.

Meejin Yoon and Eric Howeler at the Seattle Central Library Auditorium, 1000 4th Ave, Downtown, Oct 14th at 6 pm, $10 on Brown Paper Tickets.

"Read Me" at the Henry Art Gallery, 15th Ave NE & 41st St, University District, Thursday, Oct 6th, 7 - 8:30 pm, AIGA non-members: $12.50 in advance, $18 at the door.

Ashli Blow

By Ashli Blow

Ashli Blow is a Seattle-based freelance writer who talks with people — in places from urban watersheds to remote wildernesses — about the environment around them. She’s been working in journal