Culture Remembering the Wobblies, the labor union radicals of the early 1900s In a new novel by Jess Walter, the personal and the political collide during a historic, and still relevant, labor battle in Spokane. by Alex Gallo-Brown / December 31, 2020
Opinion The collective power of the pandemic's essential workers As COVID-19 continues claiming lives, many workers remain vulnerable to exposure. Will they fight back by withholding their labor? by Alex Gallo-Brown / May 12, 2020
Culture Can Rainier Beach's Kubota Garden remain a refuge for all? The South Seattle sanctuary is a testament to the power of public space and the promise of racial integration. by Alex Gallo-Brown / November 29, 2019
Opinion What the Seattle General Strike can teach workers today There are lessons we could apply to today's Seattle, which faces many of the same issues of 1919. by Alex Gallo-Brown / January 30, 2019
Opinion The Seattle I thought I knew The Seattle I grew up in was far from perfect, but its recent reaction to the head tax has shaken me to the core. by Alex Gallo-Brown / June 12, 2018
The life of a clown doctor The White Clown from <i>Corteo</i>, playing in Seattle through June 1. (Richard Termine) by Arne Zaslove / May 25, 2008
Behind the scenes at the Big Top The Clowness, The Little Clown, and The Giant Clown in <i>Corteo</i>, playing in Seattle through June 1. (Marie-Reine Mattera, Cirque du Soleil, Inc.) by Arne Zaslove / May 24, 2008
Culture The Pike Place Market as cultural refuge The Pike Place Market in Seattle, where commerce is culture. At right, Jonny Hahn performs. (Chuck Taylor) by Arne Zaslove / December 31, 2007
Culture ZinZanni puts on its best cabaret yet before pulling down the current Seattle tent The current home of Teatro Zinzanni, in a former Cadillac dealership, and Liliane Montevecchi, the Parisian star of the last show at this location. (Top: Dominic Arizona Bonuccelli. Bottom: William... by Arne Zaslove / July 1, 2007
Tech They shoot mid-sized theaters around these parts Seattle Repertory Theatre. by Arne Zaslove / May 2, 2007