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The number of returning adult salmon and steelhead has doubled since the 1990s, but is still only halfway to the NWPCC’s goal of 5 million.

With costumes by Wicked designer Paul Tazewell and sets by artist Preston Singletary, PNB hopes to breathe new life into the 19th-century classic.

“It’s what we do to thank the salmon for what they give,” said Lydia Hodges, 15, part of the new generation carrying on the sacred ritual.

The tribal court system, which had occupied a cluster of trailers since the ’50s, plans to add services like a mental health or a veterans court.

Seattle’s largest dance company is at a turning point with a fall roster that’s younger and 50 percent BIPOC.

The 2% tax will preserve ancestral sites such as Snoqualmie Falls, and could be a model for other Indigenous nations. 

The Native and Strong Lifeline provides connection and culturally specific care to callers in crisis.

With an emphasis on local contemporary dance, organizers hope to attract new audiences amid a challenging arts climate.

Drawing upon archival photos and old films, Black Collectivity presents an original performance rooted in little-known legacies.

Could the local exercise craze be the next Zumba? With $4.7 million in venture capital, leaders must balance an artist-led mission with national expansion.