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With costumes by Wicked designer Paul Tazewell and sets by artist Preston Singletary, PNB hopes to breathe new life into the 19th-century classic.

A recent visit by Korean-to-English translator Anton Hur exemplified a growing appreciation for the work as an art form in an increasingly diverse city.

Seattle’s largest dance company is at a turning point with a fall roster that’s younger and 50 percent BIPOC.

With an emphasis on local contemporary dance, organizers hope to attract new audiences amid a challenging arts climate.

Drawing upon archival photos and old films, Black Collectivity presents an original performance rooted in little-known legacies.

Could the local exercise craze be the next Zumba? With $4.7 million in venture capital, leaders must balance an artist-led mission with national expansion.

The department is deprioritizing Eurocentric dance forms and opening courses to a wider array of students — no experience necessary.

Thanks to a generous patron and pastor, local company Whim W’Him will have its own space for rehearsals and a school.

Seattle’s celebrated ballet company is striving to increase diversity with a new repertory, new choreographers and new BIPOC and non-binary dancers.

Choreographers and performers say a lack of studio space, high costs of living and the pandemic have made it hard to kickstart a career in the city.