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With costumes by Wicked designer Paul Tazewell and sets by artist Preston Singletary, PNB hopes to breathe new life into the 19th-century classic.

The poles — which are not part of Coast Salish tradition — sparked a mini-culture war in Seattle around Indigenous representation and historic preservation.

Seattle’s largest dance company is at a turning point with a fall roster that’s younger and 50 percent BIPOC.

The debate over more density or more tree canopy got personal as developers clashed with the city’s Urban Forestry Commission. 

With an emphasis on local contemporary dance, organizers hope to attract new audiences amid a challenging arts climate.

Drawing upon archival photos and old films, Black Collectivity presents an original performance rooted in little-known legacies.

Could the local exercise craze be the next Zumba? With $4.7 million in venture capital, leaders must balance an artist-led mission with national expansion.

The department is deprioritizing Eurocentric dance forms and opening courses to a wider array of students — no experience necessary.

Thanks to a generous patron and pastor, local company Whim W’Him will have its own space for rehearsals and a school.

Seattle’s celebrated ballet company is striving to increase diversity with a new repertory, new choreographers and new BIPOC and non-binary dancers.